Friday, 12 March 2021

Photography mini project





Alongside my main practise and preoccupation with painting, I delved into a series of mini projects throughout the academic year that allowed me to explore using materials and mediums such as photography, sculpture and found object art. One of the projects was to react to another student's work on the course by creating a 'responsive' piece of work that embodied an essence of both yours and theirs artistic style. I decided to take a series of photos that I could later warp, edit and overlay to produce an outcome that was subhuman and abstract in form. I used a variety of tools to achieve the finished result, this included overlaying, playing with the hue and saturation levels, adjusting the brightness and contrast, overlaying with other images, distorting the dimensions and so forth. I really like the edits I made as they remind me of Francis Bacon's twisted and contorted portrait paintings and they inspire me to try painting them to further enhance my experience with painting faces and bodies in a surreal style.

 In addition to this, I wanted to make sure the edits I made were reminiscent of the paint pours I create when using acrylic paint, and I think the bright blending colours and flowing lines mirror the appearance of these quite nicely. Creating these edits digitally also served as a great exercise in giving me inspiration for mixing colour combinations with my paintings for the future. It's unbelievably quick and easy to edit your colour choices when done digitally, you can reverse and change a colour within seconds at the click of a finger, which isn't doable with mixing acrylic paints. Your colour choices with paint are a lot more detrimental to your time and finances, therefore you feel a pressure to get it right first time, for fear of waste. Making edits such as these allow you to play around with certain colour combinations before committing to paint/ canvas, should you end up not liking the appearance of them. 

 I would ultimately like to incorporate these photos into some future works when working with collage. I'd love to take some more photos, perhaps of the entire body in the nude, and follow the same editing techniques using overlay, warp, saturation etc to create some abstract nude edits to use in otherworldly narrative scenes on paper.








 




















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Evaluative statement

This year, I have created a series of works that fall under the theme and name of my final major project ‘Resilience in the Face of Adversit...